As close to the horror as I've ever beenAfter a close friend "insisted" that I watch this film, I was absolutely torn apart by it, at times entertained by it and left with indelible images and feelings that may never leave me. It is a stunningly woven story of humanity at the peak of its potential for courage and resilience, as well as its unspeakable cruelty and taste for inflicting pain. I was startled, however, to discover that I was in the minority in my assessment. Most reviews, professional and otherwise, are either mixed or unfavorable. Is it too hard to take this film in? And if so, is it because of its intellectual or emotional demands - or both? As a psychologist and a Jew, let me say that I have never been made to feel the complex horrors of the holocaust on this level. Jeff Goldblum's performance is criminally unrecognized; it is the work of genius he has never before manifested. Perhaps the genius Goldblum found in the story itself, and in Paul Schrader's direction moved him to new heights. The rest of the cast...
Bunuel in the NegevThis masterpiece by Paul Schrader (who is not Jewish, but Pennsylvania-Dutch in origin, though you would not
know it from this work of art) is subliminal and heartbreaking on so many levels. I won't say this is
Jeff Goldblum's best performance because he has had several poor peformances; thus, it is impossible to
compare his phenomenal metaphysical psychotic discourse in this film to all his other mundane (whether
good or not so good) performances. The rest of the cast is stellar. The young boy ('dog') in the film
is heartbreaking. This film is not for the lighthearted or the impatient, nor is it for those seeking
easy answers or quik Hollywood cliches and fixes as it provides none. This film is wretched and
beautiful, painful and sublime and corroborates (though I doubt it needed confirmation) Paul Schrader
as a masterful Director and artist for the thinking adult and the scared child within. The anticipated
Academy Award's avoidance of...
The images in this film stay with you long afterwardsI had to wait a few days in writing this review as I wanted to try and figure out everything I just saw, plus the special features take some patience.
Jeff Goldblum plays a death camp survivor that has been committed to an asylum (years after the war) for survivors in Israel. Willem Dafoe plays the Nazi officer who tortures him, with some excellent supporting performances by Ayelet Zurer and Derek Jacobi. The story spans 40 years and is told in a non-lineal format crossing between black and white and color. The Blu clarity is outstanding at times, grainy in others but those scenes are made to be that way, otherwise the entire production has a high budget feel but simple at the same time. The DTS is used very well, and gets utilized in ways one would not expect from a Holocaust film (the cabaret scenes, the echoing barks in the asylum halls, the narration, etc.). The special features are a long watch and include:
* Behind the scenes, 24 minutes: A thorough...
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